Meeting a twin-flame

romeo-x-juliet-1006-29602

When I saw her the first time,
There was instant recognition,
That instant recognition was instant love,
Instant oneness, Instant connection,
Instant comfort, Instant understanding.
I knew I knew her intimately,
Beyond how much she knew about herself.
I have known her forever.
Like meeting a long lost friend.
Like meeting an old lover from a past life.
Like meeting someone from the same soul family,
Made of the same dough.

Masculine and Feminine attraction

The more masculine is attracted to the more feminine.
Because gender identity is as the name suggests identity/identification.
So it the favoring of one pole over the other.
And this makes us seek the other pole in the world.
So like all polarity, the stronger one is to the extreme, they will seek the opposite extreme.
Whereas the balanced folk (very close to equal masculine and feminine) will seek other balanced/hybrid partners.
All polarity is a game of finding the missing piece in the world.
So the souls that choose extreme feminine or masculine identities, are playing a great adventure game.
And the souls that are balanced are playing some other game, where this is not the central focus, a different life stream, a different adventure, a different endeavor.

Fractal soul visions

Linear time is within a certain frame of reference staying constant.
Beyond linear time is circular time.
And beyond circular time are eternal higher dimensional realities etc.
It gets more and more abstract.

Sometimes when our visions get abstract enough we can see abstract gestalts/patterns repeating again and again like time running through a mobius strip.

For me, the common themes I wrestle with are between:
– Being and Non-being
– Becoming and Unbecoming
– Ground and Groundlessness
– Knowing and Unknowing
– Striving and Surrender
– Linear time and Non-linear time
– Attainment and Non-attainment
– Order and Chaos
– Enlightenment and Non-enlightenment
– Home and travel
– Knowledge and Innocence
– Reality and Illusion

I can explain some of these things with poetic visions.
Here are some of them below:

Vision 1:

abyssedge

I have 2 choices, stay with what I know (what is in my hand) or the other choice is to jump into an unknown abyss.
I am detached from what I have and so at times I get the courage and jump into the abyss.
Now imagine you fall and fall through the unknown but there is no ground and you land up again at a similar place where you were standing before and again there is the same choice – stick to what is in hand(known) or just into the abyss(unknown).
Again this repeats, I work on letting go of the known in hand and get the courage and jump, and this repeats again and again.
This is the play between knowing and unknowing
It is the play between ground and groundlessness

Vision 2:

dream

Imagine you are in a dream and you are trying to wake up, but every time you think you have woken up you later realize you have still been dreaming. And so you try to wake up again, and once again think you have woken up, only to realize soon after that you are still dreaming and have to work again to wake up.
This is the play between reality and illusion

Vision 3:

sandsculpture

I build myself up like a sand structure from the chaos of possibility of the sand on the ground.
I feel I have attained knowledge and being, but soon it falls back to the ground.
Then again I get inspired, and I build another structure, work on it and reach a milestone, only for it to go back to the ground again.
This is like a looping struggle to BE something and not fall back to non-being.
This can be seen as the play of order vs. chaos.
This can also be seen as the play of attainment vs. non-attainment.
It is also the play between becoming and unbecoming.

Vision 4:

Home

Imagine whenever you settled in a place, buy some things, make yourself a home there and create security for yourself, you feel its time to move. You have to move and leave everything behind, go through the grief, and do a similar settlement in your next spot, only for you to again get the impulse to move and do it again.
This is the play between home and travel.

Vision 5:

watchingmovie

Imagine you are sitting in a theater seat and watching a movie, and you go through the story with the hero suffering gains and losses. Suddenly you feel it is getting too much and you want to snap out of it and you come back to your theater seat. You realize that you were always in that seat, nothing has really changed, and the whole movie was an illusion. But then shortly after coming back to the theater seat and disillusioning yourself, you see something else interesting in the screen that once again enchants you, and you start to gain knowledge from investment. And this happens again and again.
This is the play between alternating enlightenment and non-enlightenment
This is the play between alternating knowledge and innocence.

 

A quick attempt to create a model of reality

A quick Model/Ontology of reality from my direct experience:
(I have added references to some kabbalah terms, physical universe analogues)

#### FORMLESS/SPIRIT/ABSOLUTE/EMANATION #### (World of: Atziluth)
1 – Unmanifest/ONE (Ain Sof) – 7D

#### FORM/MANIFEST/RELATIVE #### (yin yang, double helix dna)(universe)(Worlds of: Briah, Yetzirah, Malkuth)

2. SOUL REALM (Galaxy super cluster)(Kether/Platonic forms realm) – 6.3D
[Larger context = soul family/galaxy cluster] (6.2D specific family of souls)
Heart/Soul/Desire = Specified Soul DNA(galaxy) = Many lives as many beings context (6.1D specific)
Trans-human archetypes/symbology/mythology/hieroglyphs/motifs/artifacts/codes

3. STAR/SOLAR SYSTEM(5.3D) -> PLANET(5.2D) -> CREATURES REALM (5.1D)
Human Creature Biological DNA [larger context: creature family] = incarnation context – 5D specific
Human archetypes/symbology/mythology/hieroglyphs/motifs/artifacts/codes

4. CULTURE/CIVILIZATION/SOCIETY [Geburah/chesed]
Socio-cultural-civilizational-locational DNA – 4D
Specific cultural context where creature is born – 4D specific

5. EGO/SOCIAL IDENTITY [Yesod] – 3D
Specific internalization of family/enculturation/societal conditioning/civilization codes – 3D specific

6. PERSONAS [Masks/Presentations] – 2D
Chosen mask – 2d specific

7. The immediate chosen persona interaction possibility space – 1D
The actual interaction option chosen and happening = 1D specific

On Brain Transformation

digitalbrain

The [Dynamic Ground] is the context while the [Ego] is the manager within that background context. (these terms were borrowed from the book: The Ego and the Dynamic Ground – Michael Washburn)

All [judgments/labeling/categorizing/concepting/focusing/lensing] -> is from the [Mind Net] cast over [WHAT IS (Actual Perception + Perception stemming from Memory)].
It is [Mind Vision].
To [see with the mind] is to cast this [instrument’s net].
It is to see ‘through’ this net.
But if mind is an instrument then what is the driver of this instrument? = [DESIRE]

[Conscious Desire/Interests/Passions] -> which are basically the [deeper unconscious/archetypal forces/energies/cathexis] passing through the [NET of Worldly-knowledge and memory] and getting translated into forms that can fit into the [symbolic order/outer world].
The brain works as a [CONDUIT AND NET] for [translating/prism-ing] the [inner soul unconscious subconscious desires/forces].
If this [Brain filter] is too dense, and if it serves as a very poor medium or translator for letting the [higher soul inner desires] to [manifest] through this [realm/plane/symbolic order], and if it is just [repressing/barring/walling/shielding/blocking] most of it, and if it accumulates a lot of [useless conditioned dead habits] -> then this brain instead of being a conduit becomes an [overhead/dead-weight/poor conducting/resisting medium] -> The [task/imperative] then becomes to seek higher knowledge that will help create a [BETTER CONDUCTING and LIGHTER BRIDGE], so that more of the [soul’s true desires] can be [conduit-ed/translated] into [freedom/action/expression] in this [outer realm/symbolic order/plane].
This sort of [Brain Transformation] comes from the [unmanifest/unconscious] but one can [intuit] what is happening.
[Consciously] one can only [witness and manage] the [transformation process] happening – which happens in the [background/backdrop/context].
The [imperative] therefore during [TRANSFORMATION] is to [serve the process] by being an [efficient conductor of the ORCHESTRA] that unfolds.

 

I desire ‘alive sensation’

glitter-pattern

VITAL ALIVE DANCING
ECSTATIC TRANSFORMING SHIMMERING
DAZZLING GLITTERING SPARKLING
FIRE’Y BRILLIANT RADIANT
POWERFUL ENCHANTING DELECTABLE
EXCITING BEAUTIFUL WONDROUS
LOVELY JOYOUS EXQUISITE
QUIVERING REFRESHING VIBRATORY
BREATHTAKING THRILLING EXOTIC
ETHEREAL DREAMY MAGNIFICENT
SPLENDID MIND-BLOWING FABULOUS
INCREDIBLE AMAZING EXTRAORDINARY
FANTASTIC STAGGERING INSPIRING
STELLAR ASTONISHING DELIGHTFUL
MESMERIZING RIVETING CAPTIVATING
EXUBERANT RAVISHING SENSATION !!

The expenditure of karmic energy potentials

Van_Gogh_Starry_Night

I see experience as a curriculum of ‘karmic energy potentials’ for this lifetime.
Analogy:
Like the picture here showing Van Gogh’s famous starry sky, we could visualize ourselves as the whole space(the whole field) in true essence, and all the stars are all the container of various potential experiences we are to experience in this life.
Or I could say our soul/heart contains all these star experience potentials.
Each star then continuously expends its energy.
There are stars of various sizes, and the brightest ones tend to take up the most of our attention and may represent core characteristics of our identity whose qualities shine on us no matter where we are on this field.

Our observer point then starts accelerating along a certain path – the orbit of which is created such that we would have drunk the experience from all the stars energy on completion.
We have a certain degree of choice energy embedded in the observer point too.
So generally we choose to live through the pleasurable ones first (large gas giants and low density stars – which represent high vibrations) and identify our self as them (the white fish in yin-yang) and this forms the day period of our lives, and when all the pleasure-stars have exhausted their fuel of experience, they all vanish and we enter the night of our lives and experience all the other wonders and terrors of the various smaller night stars which mostly represent our repressed shadows/non-egoic potentials (dis-identified disavowed parts under the iceberg). This night journey represents the dark night of soul which our heart lives through.

Then once all the difficult dense energy stars (sadness, grief, pain etc. and the low vibration parts) exhaust their potentials too, then the journey completes itself and we are freed from the heart and union with the formless field as DELIGHT.