The 5 dimensions being the 5 senses:
Sight, Sound, Smell, Taste, Touch.
The power of these senses determines the level of realism and dazzle of the world.
Imagine, if the projector light is dimmed in the cinema hall and if the speaker volume is lowered a lot.
The image would then look washed out and translucent, you would be able to see the color, cloth like material texture and imperfections in the screen behind. You’d also hear all the noises and sounds made by the people around you.
Net result: The immersion thus would drastically reduce and what the projector is playing will not have much sway/impact in your experience at all.
Now, let’s say the opposite is done.
Imagine, they make the sound thunderous and surround, they also make the hall pitch black, have a projector that can shine as bright as the sun and make the screen look totally invisible like you are seeing reality through a window.
Net result: Then the movie would cast a powerful spell on you and drown everything else easily and totally possess your experience.
Now what happens if the projector is suddenly switched off or the speakers suddenly cut off? That entire dimension of experience is simply removed right?
Once a sense is cut, that entire dimension of the world disappears with it.
So the world can be said to be a projection of the senses.
The senses project the world just like a projector projects the image world, or a speaker creates the sound world.
So in a way, the world is secondary to the senses themselves.
The dimension of the world experienced, entirely depends on that sense being powered.
It is almost like each sense is like a ‘Yantra’ creating a portal/door through which you can perceive/access those reality dimensions.
Many corollaries or inferences can be made from this.
For instance: The power of the senses determine HOW REAL the reality projected is experienced to be.
Just like how a dazzlingly bright projector will be far more immersive than one that just projects a dim translucent like image. The projector must shine so bright that it effectively hides its existence itself. It must remove all awareness of the existence of a screen at all.
Any awareness of the screen will ruin the immersion.
It ties into those poetic concepts such as, ‘God projects a world so dazzlingly real, it forgets it’s own existence’.
In carnivorous animals such as tigers etc. one can see how powerful their senses are,
And consequently how powerful the experience of the world must be for them.
Even the experiences on LSD amp the senses to such heights, that the world appears to be dazzlingly real and alive.
Actually it is your own increased sense aliveness that is reflected back to you as aliveness of the world.
The world you perceive reflects your own state of aliveness.
When you are profoundly alive, the world also looks profoundly alive to you.
Similarly when you feel dead inside, the world also reflects the same back to you, that it is also dead.
We only see the reflection of our own level of aliveness in the projected world.
We see a sick world when we are sick.
We see a great world when we feel great,
And so on.
# Generally people with sense-powers that are really amped tend to be into sports, travel, physical adventures etc.
# In people where the senses have mellowed down a bit, there is an increase of the intellectual aspect. That detachment may also bring a more visionary attitude to things.
(Imagine, when you were 4 years old and went to the beach for the first time for a picnic, were you intellectualizing stuff or analyzing things, or just immersed/rapt in the sheer dazzle of it all.)
# If the senses are completely withdrawn from (pratyahara), one enters into states of meditation/dhyan/samadhi and so forth. The mystical ‘Naga’ dimension of life gets revealed.
These 3 steps are in a way the journey back to the source projector from its image.
To turn back and look at the projector, first the realization that the movie is unreal must happen.
Else how can you withdraw your mind from it even for an instant?!
Every new sense will usher in a corresponding new dimension of the world.
It is like the parable of the blind men and the elephant.
Each one experiences the elephant depending on what he is feeling.
The world is simply the sheer power of Maya to bewitch one.
There is only the field
There is only the dream.
There is only the field.
Whatever suffering comes to you is only an appearance of/in the dream field.
The suffering does not come from any particular person, situation, or any thing/event or condition,
They are all only appearance and props of the will of the field itself.
The whole moves the whole, no part moves the whole.
One of the best analogies for this is the movie screen.
The whole movie is playing out in the screen,
And the pixels making the characters in the screen do not have any causal relationship with any of the other pixels, though they might appear to have it in a specific movie.
The whole movie is already there in the film roll,
And the pixels on the screen are not causing each other in any way.
They are all independently responding all at once.
However in our minds when we create meaning, we try to look for causal relations.
Even if causal relations appear to exist they are still only a persistent illusion.
For instance, say you are watching the movie ‘Groundhog day’,
And he keeps waking up everyday in the same bed with the same alarm clock and time,
Next time you see the bed, you’ll immediately predict correctly that the alarm will ring and wake him up.
But that kind of causal relationship is a feature of that particular movie,
And in reality all the pixels are independent of each other and only following the projector reel.
So it is a case of ‘the whole moves the whole’, no part moves the whole wrt. the screen.
Causation is an illusion.
There is only the field, and whatever plays within it is the play of the field itself.
Whatever world, condition, situation, circumstance, or relationship appears,
Is only an appearance that the field plays out just like a movie.Â
The power of the field generates “Experience”.
We have various gross-subtle bodies that relate to what is outside to create experience.
Even the transformation of those bodies (by the field itself or by the power of the higher bodies of your own), is also an appearance of the field.
The field is consciousness, only the field is.
All else is an appearance of the field.
The field is the substrate and all that appears are its modulations.
Depending upon what is awake in you,
i.e. the highest body awake in you and its vision/potential/power,
It will transform all of the lower bodies.
Paradoxically when it comes to our bodies, all of them are subservient to the field.
So all their power is only surrogate power, that is of surrendering to the field itself and thereby channeling more of it.
The more you yield to the higher, the greater the powers and vision you channel.
The field is our highest ultimate body technically speaking.
So ultimately if the field itself is awake in you, it will draw you back into itself by transforming the rest.
In a way, during the transformation, nothing fundamentally changed,
All that changed was that all the particles rearranged themselves by yielding to the higher frequency zone that was awake in you, and along with that, all the lesser powers played themselves out and completed themselves.
VR analogy for Turiya
In Vedanta,
There are the following different states of consciousness:
# Turiya
# Deep sleep = Turiya + Deep sleep
# Dreaming = Turiya + Deep sleep + Dreaming
# Waking = Turiya + Deep sleep + Dreaming + Waking
Turiya is not really a state,
But it is the transcendent reality,
That underlies all the 3 states,
Of waking, dreaming, sleeping.
A great way to experientially imagine this,
Is to take the analogy of a VR headset.
You are Turiya.
You first wear the VR headset ‘switched off’ on your head first = Deep sleep
Say the VR headset cycles through these 3 states of:
# Being switched off = Deep sleep
# Movie mode = Dream
# ‘First person’ avatar game mode = Waking
Let’s imagine there are 2 screens on the VR:
# The screen closer to your eye is the movie screen.
# The screen farther away from your eye is the game screen.
The 2 can play simultaneously also, but generally,
When the game screen is switched on,
The movie screen turns translucent,
And serves as a sort of AR (augmented reality) for the game screen.
Imagine you forgot you were wearing this headset,
And got immersed into the game screen appearance,
Then you will believe the game world shown on it is the ground reality.
Supposing you snapped out of the trance,
And realized you were wearing the headset,
This real you that woke up to this is ‘Turiya’.
The VR headset still cycles between being switched off, movie mode, and game mode.
However now the real you is awake behind all of these states.
Imagine trying to convince another avatar in the game mode,
That he is actually another person like you wearing the headset.
How would you go about it?
Whatever he points to in that VR game world,
And even his avatar body, would have nothing to do with what you are trying to point at.
Similarly the other implication of this analogy would be that:
If you went to deep sleep in the game mode for the other players,
It means your headset is in its turned off state.
The real you wearing the headset is still awake.
However, since your headset is switched off, you would receive no information from the VR game world.
Other players would find you motionless/asleep/dead.
And even if they waved at you from within the game,
You would not receive that.
But however the real you, is still awake,
Just observing the blankness of the switched off screen.
This real you that is transcendent of the VR headset and its simulated worlds = Turiya.
There are the following different states of consciousness:
# Turiya
# Deep sleep = Turiya + Deep sleep
# Dreaming = Turiya + Deep sleep + Dreaming
# Waking = Turiya + Deep sleep + Dreaming + Waking
Turiya is not really a state,
But it is the transcendent reality,
That underlies all the 3 states,
Of waking, dreaming, sleeping.
A great way to experientially imagine this,
Is to take the analogy of a VR headset.
You are Turiya.
You first wear the VR headset ‘switched off’ on your head first = Deep sleep
Say the VR headset cycles through these 3 states of:
# Being switched off = Deep sleep
# Movie mode = Dream
# ‘First person’ avatar game mode = Waking
Let’s imagine there are 2 screens on the VR:
# The screen closer to your eye is the movie screen.
# The screen farther away from your eye is the game screen.
The 2 can play simultaneously also, but generally,
When the game screen is switched on,
The movie screen turns translucent,
And serves as a sort of AR (augmented reality) for the game screen.
Imagine you forgot you were wearing this headset,
And got immersed into the game screen appearance,
Then you will believe the game world shown on it is the ground reality.
Supposing you snapped out of the trance,
And realized you were wearing the headset,
This real you that woke up to this is ‘Turiya’.
The VR headset still cycles between being switched off, movie mode, and game mode.
However now the real you is awake behind all of these states.
Imagine trying to convince another avatar in the game mode,
That he is actually another person like you wearing the headset.
How would you go about it?
Whatever he points to in that VR game world,
And even his avatar body, would have nothing to do with what you are trying to point at.
Similarly the other implication of this analogy would be that:
If you went to deep sleep in the game mode for the other players,
It means your headset is in its turned off state.
The real you wearing the headset is still awake.
However, since your headset is switched off, you would receive no information from the VR game world.
Other players would find you motionless/asleep/dead.
And even if they waved at you from within the game,
You would not receive that.
But however the real you, is still awake,
Just observing the blankness of the switched off screen.
This real you that is transcendent of the VR headset and its simulated worlds = Turiya.
All experience is maya/projection
The external reality is a kind of mysterious screen,
On which any movie can be projected.
The source of everything we experience is projected from within.
Things like your possessions, your relationships: like your wife/husband, friends, your children, things you love, stuff you are attached to, your home, are all projections.
So it is possible that a person living in a jungle in Africa may be feeling/thinking/experiencing in a similar way as a person living in the heart of Tokyo city.
Even though every single thing in their environment is different, a similar reality may be experienced.
A romantic essentially feels the same, no matter how he paints the enactment of that feeling.
The sexual lust feels the same, no matter whom it is projected on.
Any place could become your home, if you shift your projection to the new place.
The capacity to shift projections is one of the greatest powers.
All object essences are projected.
Believing that objects have inherent essences contained in them separate from you, is the biggest illusion.
If you are unable to shift your projections, then you stay attached to the original time they were flashed into you.
Attachment itself happens when there isn’t enough power to shift the projection.
It then stays with the person we first projected that feeling on.
That is what is generally called programming/conditioning.
Imagine if an old movie is remade with today’s technology and actors, everything is different, but the movie essence is the same.
Only the props have changed, the same drama and relationship is playing out.
So the implications of this are that:
# 2 people could be living just next to each other, but living in totally different experience worlds.
# Also, 2 people from completely different physical environments could be living a similar experience.
In your internal space, the projection potential is either present or absent.
And when you have it, you can project it on anything or anyone you want.
Its like when you have the love potential in your heart, and it is unblocked, it can be projected on anybody or anything.
You can keep the enactment of the projection at the fantasy level alone, or bring it down to the physical world, if such a choice/power is available to you.
Drugs like marijuana can temporarily vastly enhance your energy/power to access projection potentials and project.
Like I could ask you to look at a tree in front of you, and tell you to love the tree with all of your heart OR hate the tree with all of your heart, and you can experience both directly for yourself.
You can clearly witness how you modulate your experience with your intention.
You can even do this exercise when sober.
The drug only vastly enhances the power of that projection ability because it amps the available energy.
This is the basis of how on LSD, many people report to see the whole world reflected in an ordinary object like an ashtray.
It is like how a newborn experiences the world.
Every object in his/her environment takes on numinous projections.
Really, the experiences we have later in life are pale shadows of the peak experiences that were had at that time.
Those experiences set the tone for our relationship to the world itself.
From this level, there is no such dichotomy between the imagined and what is called real.
Every single thing you experience is real.
There is no such thing really called the physical world.
Everything that you experience is projected.
What a fantastic ride/illusion it is!, to believe the physical world exists independent from you.
It is a mind-boggling magical spell.
On which any movie can be projected.
The source of everything we experience is projected from within.
Things like your possessions, your relationships: like your wife/husband, friends, your children, things you love, stuff you are attached to, your home, are all projections.
So it is possible that a person living in a jungle in Africa may be feeling/thinking/experiencing in a similar way as a person living in the heart of Tokyo city.
Even though every single thing in their environment is different, a similar reality may be experienced.
A romantic essentially feels the same, no matter how he paints the enactment of that feeling.
The sexual lust feels the same, no matter whom it is projected on.
Any place could become your home, if you shift your projection to the new place.
The capacity to shift projections is one of the greatest powers.
All object essences are projected.
Believing that objects have inherent essences contained in them separate from you, is the biggest illusion.
If you are unable to shift your projections, then you stay attached to the original time they were flashed into you.
Attachment itself happens when there isn’t enough power to shift the projection.
It then stays with the person we first projected that feeling on.
That is what is generally called programming/conditioning.
Imagine if an old movie is remade with today’s technology and actors, everything is different, but the movie essence is the same.
Only the props have changed, the same drama and relationship is playing out.
So the implications of this are that:
# 2 people could be living just next to each other, but living in totally different experience worlds.
# Also, 2 people from completely different physical environments could be living a similar experience.
In your internal space, the projection potential is either present or absent.
And when you have it, you can project it on anything or anyone you want.
Its like when you have the love potential in your heart, and it is unblocked, it can be projected on anybody or anything.
You can keep the enactment of the projection at the fantasy level alone, or bring it down to the physical world, if such a choice/power is available to you.
Drugs like marijuana can temporarily vastly enhance your energy/power to access projection potentials and project.
Like I could ask you to look at a tree in front of you, and tell you to love the tree with all of your heart OR hate the tree with all of your heart, and you can experience both directly for yourself.
You can clearly witness how you modulate your experience with your intention.
You can even do this exercise when sober.
The drug only vastly enhances the power of that projection ability because it amps the available energy.
This is the basis of how on LSD, many people report to see the whole world reflected in an ordinary object like an ashtray.
It is like how a newborn experiences the world.
Every object in his/her environment takes on numinous projections.
Really, the experiences we have later in life are pale shadows of the peak experiences that were had at that time.
Those experiences set the tone for our relationship to the world itself.
From this level, there is no such dichotomy between the imagined and what is called real.
Every single thing you experience is real.
There is no such thing really called the physical world.
Everything that you experience is projected.
What a fantastic ride/illusion it is!, to believe the physical world exists independent from you.
It is a mind-boggling magical spell.
Placebo vs Nocebo
Placebo —-vs—- Nocebo
It looks like:
Positive imagination/expectation —-vs—- Negative imagination/expectation
Positive and negative imagination tend to spiral.
* When you life has been going well with better and better things, positive imagination spirals.
* And when your life has loss after loss, negative imagination starts to spiral.
It seems, life is like an indifferent movie, that keeps playing, and you sit in the theater seat and watch it unfold.
* If great things happen, you start to see positive future visions (+ve imagination).
* If bad things happen in the movie, you start to dread the future scenes (-ve imagination).
My experience of reality nowadays
I experience reality nowadays as a “changing/shifting ocean of sensation”.
In this ocean, various waves arise, from various apparent centers of consciousness that get formed, and various potentials are then available for various thoughts/feelings/emotions from these centers.
Another way to put it would be, my experience is like the movie “waking life”, i.e. like an endless moving lucid dream.
Another analogy would be, my experience is like a movie that is playing all the time, and I alternately engage with it in various ways, and then disengage in various ways, to come back and engage with…and so on.
I do not have much enduring identity day to day.
And my sadhana/effort is to return whatever remnant identity is there to the ocean.
I feel like I am a witness, that witnesses the whole changing ocean of relationship, where an “apparent I” and an “apparent world” appears and keeps shifting.
It always feels real in the moment, just like a dream feels real, but I also know that everything can change from my own memory of that happening a zillion times.
My experience is like the mantra AUM along with the pause.
Inbreath:
Pause = the recharge of inspiration/energy.
Drawing the formless/unmanifest to form/manifest potential.
Outbreath:
Expression in form/manifest.
Aaaaaa = Waking
Uuuuuu = Dreaming
mmmmmm = Sleep
Inbreath:
Pause = the recharge of energy.
…and so on.
In this ocean, various waves arise, from various apparent centers of consciousness that get formed, and various potentials are then available for various thoughts/feelings/emotions from these centers.
Another way to put it would be, my experience is like the movie “waking life”, i.e. like an endless moving lucid dream.
Another analogy would be, my experience is like a movie that is playing all the time, and I alternately engage with it in various ways, and then disengage in various ways, to come back and engage with…and so on.
I do not have much enduring identity day to day.
And my sadhana/effort is to return whatever remnant identity is there to the ocean.
I feel like I am a witness, that witnesses the whole changing ocean of relationship, where an “apparent I” and an “apparent world” appears and keeps shifting.
It always feels real in the moment, just like a dream feels real, but I also know that everything can change from my own memory of that happening a zillion times.
My experience is like the mantra AUM along with the pause.
Inbreath:
Pause = the recharge of inspiration/energy.
Drawing the formless/unmanifest to form/manifest potential.
Outbreath:
Expression in form/manifest.
Aaaaaa = Waking
Uuuuuu = Dreaming
mmmmmm = Sleep
Inbreath:
Pause = the recharge of energy.
…and so on.
Fractal soul visions
Linear time is within a certain frame of reference staying constant.
Beyond linear time is circular time.
And beyond circular time are eternal higher dimensional realities etc.
It gets more and more abstract.
Sometimes when our visions get abstract enough we can see abstract gestalts/patterns repeating again and again like time running through a mobius strip.
For me, the common themes I wrestle with are between:
– Being and Non-being
– Becoming and Unbecoming
– Ground and Groundlessness
– Knowing and Unknowing
– Striving and Surrender
– Linear time and Non-linear time
– Attainment and Non-attainment
– Order and Chaos
– Enlightenment and Non-enlightenment
– Home and travel
– Knowledge and Innocence
– Reality and Illusion
I can explain some of these things with poetic visions.
Here are some of them below:
Vision 1:
I have 2 choices, stay with what I know (what is in my hand) or the other choice is to jump into an unknown abyss.
I am detached from what I have and so at times I get the courage and jump into the abyss.
Now imagine you fall and fall through the unknown but there is no ground and you land up again at a similar place where you were standing before and again there is the same choice – stick to what is in hand(known) or just into the abyss(unknown).
Again this repeats, I work on letting go of the known in hand and get the courage and jump, and this repeats again and again.
This is the play between knowing and unknowing
It is the play between ground and groundlessness
Vision 2:
Imagine you are in a dream and you are trying to wake up, but every time you think you have woken up you later realize you have still been dreaming. And so you try to wake up again, and once again think you have woken up, only to realize soon after that you are still dreaming and have to work again to wake up.
This is the play between reality and illusion
Vision 3:
I build myself up like a sand structure from the chaos of possibility of the sand on the ground.
I feel I have attained knowledge and being, but soon it falls back to the ground.
Then again I get inspired, and I build another structure, work on it and reach a milestone, only for it to go back to the ground again.
This is like a looping struggle to BE something and not fall back to non-being.
This can be seen as the play of order vs. chaos.
This can also be seen as the play of attainment vs. non-attainment.
It is also the play between becoming and unbecoming.
Vision 4:
Imagine whenever you settled in a place, buy some things, make yourself a home there and create security for yourself, you feel its time to move. You have to move and leave everything behind, go through the grief, and do a similar settlement in your next spot, only for you to again get the impulse to move and do it again.
This is the play between home and travel.
Vision 5:
Imagine you are sitting in a theater seat and watching a movie, and you go through the story with the hero suffering gains and losses. Suddenly you feel it is getting too much and you want to snap out of it and you come back to your theater seat. You realize that you were always in that seat, nothing has really changed, and the whole movie was an illusion. But then shortly after coming back to the theater seat and disillusioning yourself, you see something else interesting in the screen that once again enchants you, and you start to gain knowledge from investment. And this happens again and again.
This is the play between alternating enlightenment and non-enlightenment
This is the play between alternating knowledge and innocence.
Beyond linear time is circular time.
And beyond circular time are eternal higher dimensional realities etc.
It gets more and more abstract.
Sometimes when our visions get abstract enough we can see abstract gestalts/patterns repeating again and again like time running through a mobius strip.
For me, the common themes I wrestle with are between:
– Being and Non-being
– Becoming and Unbecoming
– Ground and Groundlessness
– Knowing and Unknowing
– Striving and Surrender
– Linear time and Non-linear time
– Attainment and Non-attainment
– Order and Chaos
– Enlightenment and Non-enlightenment
– Home and travel
– Knowledge and Innocence
– Reality and Illusion
I can explain some of these things with poetic visions.
Here are some of them below:
Vision 1:
I have 2 choices, stay with what I know (what is in my hand) or the other choice is to jump into an unknown abyss.
I am detached from what I have and so at times I get the courage and jump into the abyss.
Now imagine you fall and fall through the unknown but there is no ground and you land up again at a similar place where you were standing before and again there is the same choice – stick to what is in hand(known) or just into the abyss(unknown).
Again this repeats, I work on letting go of the known in hand and get the courage and jump, and this repeats again and again.
This is the play between knowing and unknowing
It is the play between ground and groundlessness
Vision 2:
Imagine you are in a dream and you are trying to wake up, but every time you think you have woken up you later realize you have still been dreaming. And so you try to wake up again, and once again think you have woken up, only to realize soon after that you are still dreaming and have to work again to wake up.
This is the play between reality and illusion
Vision 3:
I build myself up like a sand structure from the chaos of possibility of the sand on the ground.
I feel I have attained knowledge and being, but soon it falls back to the ground.
Then again I get inspired, and I build another structure, work on it and reach a milestone, only for it to go back to the ground again.
This is like a looping struggle to BE something and not fall back to non-being.
This can be seen as the play of order vs. chaos.
This can also be seen as the play of attainment vs. non-attainment.
It is also the play between becoming and unbecoming.
Vision 4:
Imagine whenever you settled in a place, buy some things, make yourself a home there and create security for yourself, you feel its time to move. You have to move and leave everything behind, go through the grief, and do a similar settlement in your next spot, only for you to again get the impulse to move and do it again.
This is the play between home and travel.
Vision 5:
Imagine you are sitting in a theater seat and watching a movie, and you go through the story with the hero suffering gains and losses. Suddenly you feel it is getting too much and you want to snap out of it and you come back to your theater seat. You realize that you were always in that seat, nothing has really changed, and the whole movie was an illusion. But then shortly after coming back to the theater seat and disillusioning yourself, you see something else interesting in the screen that once again enchants you, and you start to gain knowledge from investment. And this happens again and again.
This is the play between alternating enlightenment and non-enlightenment
This is the play between alternating knowledge and innocence.
Â
God is ‘consciousness’
The plato’s world of forms are the forms of essences.
They are all present in different degrees in different people.
Everyone is innocent and unfolding their karmic potential and destiny.
They are actually god(field) playing and living as those various forms.
All forms are god and this is seen when the form dissolves.
All the people you ever met, and all of this physical world, is nothing but god’s form.
When somebody dies what happens? What is left is ashes and memories.
The person that was thought to be real, was all a play of form and it vanishes into the formless, is sucked back into the ocean of the unmanifest and the ashes return to earth.
Everything ultimately lives on inside you until you understand the truth.
There is only god, all else is an appearance.
God is the field, the infinite potential field, that MANIFESTS like THIS.
Everything that appears in this field of consciousness is god.
Everyone is a symptom of the ONE, the props of the play of the ONE.
The afraid contracting self in a world of hostile others is also the illusion and play.
Only the play is real, no character really exists, and even I do not exist.
And even the play isn’t real, only the field is real.
The field of the unmanifest, i.e. of infinite unborn potential.
All form is birthed in this field, and death is when the form returns to the field.
But the objects are no more real, than images on your computer screen.
Only the screen is real.
(consciousness is the only real entity – god is consciousness – there are no OBJECTS independent of your consciousness – all objects are made of consciousness itself – no object IS conscious or independent of your consciousness, rather, all objects ARE YOUR CONSCIOUSNESS)
Neither is the movie real (experience is not real)
Neither are the characters in the movie real (people and other creatures are not real)
Neither are the situations in the movie real
[The infinite unborn unmanifest potential + current appearance/manifest] = THAT SUBSTANCE -> IS GOD/Ultimate
They are all present in different degrees in different people.
Everyone is innocent and unfolding their karmic potential and destiny.
They are actually god(field) playing and living as those various forms.
All forms are god and this is seen when the form dissolves.
All the people you ever met, and all of this physical world, is nothing but god’s form.
When somebody dies what happens? What is left is ashes and memories.
The person that was thought to be real, was all a play of form and it vanishes into the formless, is sucked back into the ocean of the unmanifest and the ashes return to earth.
Everything ultimately lives on inside you until you understand the truth.
There is only god, all else is an appearance.
God is the field, the infinite potential field, that MANIFESTS like THIS.
Everything that appears in this field of consciousness is god.
Everyone is a symptom of the ONE, the props of the play of the ONE.
The afraid contracting self in a world of hostile others is also the illusion and play.
Only the play is real, no character really exists, and even I do not exist.
And even the play isn’t real, only the field is real.
The field of the unmanifest, i.e. of infinite unborn potential.
All form is birthed in this field, and death is when the form returns to the field.
But the objects are no more real, than images on your computer screen.
Only the screen is real.
(consciousness is the only real entity – god is consciousness – there are no OBJECTS independent of your consciousness – all objects are made of consciousness itself – no object IS conscious or independent of your consciousness, rather, all objects ARE YOUR CONSCIOUSNESS)
Neither is the movie real (experience is not real)
Neither are the characters in the movie real (people and other creatures are not real)
Neither are the situations in the movie real
[The infinite unborn unmanifest potential + current appearance/manifest] = THAT SUBSTANCE -> IS GOD/Ultimate
Samsara is like a movie
Samsara is like a movie, you need to know it’s a movie to enjoy it, however, if you totally know it’s a movie then its really boring.
Journey to the Abstract 