The shift of attention

When attention shifts,
From foreground to background,
From form to formless,
From objects to space,
From light to darkness,
From known to unknown,
From linear to non-linear,
From outward to inward,
From reflections to source,
From time to flow,
From cyclic to non-cyclic,
From manifest to unmanifest,
From creation to the unborn,
From manifest to potential,
From stars to the void of space,
From content to context,
From control to surrender,
From fear to devotion,
From identification to freedom,
You return to God.

The nature of time

Depends on the dimension.
3d time = linear (like driving along a mobius strip, it always looks straight)
4d time = cyclic
5d time = fractal
6d time = maybe the true place of decision/choice/free will.

Sanity is relative

The concept of sanity is relative.
Relative to the:
1. Level of vision
2. Level of perception
4. Level of consciousness (LOC concept from David Hawkins)
5. Number/breadth/height of perspectives you can see
6. The dynamic range of perspectives you can hold at a time
7. The extent of your spatial vision
8. The extent of your temporal vision both forward (future) and backward (past)

Death and Life are both NOW

When we speak of death, or think about it,
That is death as a thought/concept.
The concept of death is always connected to time.
It is a thought about the future, usually the far future.
“What will happen to me after I die, maybe 40 years or 60 years later?”
“How will I die? What will be my state at that time?
“What will I be feeling at that time?”
“Who will be beside me at that time?”
“What place will I be in (a hospital, my bedroom…)?”
All of that is death as a thought.

Fear of death happens when death is thought about.
The more imaginative a person is, the stronger he will feel it.
Because of the extent of deep extrapolation and conception he can do.
A powerful imagination superimposes itself over the base reality overloading it with “context/meaning/memory/past-future/likely possibilities”.
And then the body reacts to whatever picture that presents.

Death as a reality however is always NOW.
You face death now, You face life now.
Every moment is changing.
If you see what was lost(negative existence), you see death.
If you see what was gained(positive existence), you see life.

Experience of time

Life is neither long nor short.
Clock time does not exist by itself or independently in our experience.
Clock time has no substance but derives all its substance from ‘psychological time’.
All experience of time in essence is ‘psychological time’.
We tune ourselves (our psychological time) to the clock only for social and collaboration convenience.
And psychological time is connected to goals/desires.
Each goal/desire sets up psychological time for you to ride that wave.
Your experience of time is a lot more connected to your heart’s desires.

Fractal soul visions

Linear time is within a certain frame of reference staying constant.
Beyond linear time is circular time.
And beyond circular time are eternal higher dimensional realities etc.
It gets more and more abstract.

Sometimes when our visions get abstract enough we can see abstract gestalts/patterns repeating again and again like time running through a mobius strip.

For me, the common themes I wrestle with are between:
– Being and Non-being
– Becoming and Unbecoming
– Ground and Groundlessness
– Knowing and Unknowing
– Striving and Surrender
– Linear time and Non-linear time
– Attainment and Non-attainment
– Order and Chaos
– Enlightenment and Non-enlightenment
– Home and travel
– Knowledge and Innocence
– Reality and Illusion

I can explain some of these things with poetic visions.
Here are some of them below:

Vision 1:

abyssedge

I have 2 choices, stay with what I know (what is in my hand) or the other choice is to jump into an unknown abyss.
I am detached from what I have and so at times I get the courage and jump into the abyss.
Now imagine you fall and fall through the unknown but there is no ground and you land up again at a similar place where you were standing before and again there is the same choice – stick to what is in hand(known) or just into the abyss(unknown).
Again this repeats, I work on letting go of the known in hand and get the courage and jump, and this repeats again and again.
This is the play between knowing and unknowing
It is the play between ground and groundlessness

Vision 2:

dream

Imagine you are in a dream and you are trying to wake up, but every time you think you have woken up you later realize you have still been dreaming. And so you try to wake up again, and once again think you have woken up, only to realize soon after that you are still dreaming and have to work again to wake up.
This is the play between reality and illusion

Vision 3:

sandsculpture

I build myself up like a sand structure from the chaos of possibility of the sand on the ground.
I feel I have attained knowledge and being, but soon it falls back to the ground.
Then again I get inspired, and I build another structure, work on it and reach a milestone, only for it to go back to the ground again.
This is like a looping struggle to BE something and not fall back to non-being.
This can be seen as the play of order vs. chaos.
This can also be seen as the play of attainment vs. non-attainment.
It is also the play between becoming and unbecoming.

Vision 4:

Home

Imagine whenever you settled in a place, buy some things, make yourself a home there and create security for yourself, you feel its time to move. You have to move and leave everything behind, go through the grief, and do a similar settlement in your next spot, only for you to again get the impulse to move and do it again.
This is the play between home and travel.

Vision 5:

watchingmovie

Imagine you are sitting in a theater seat and watching a movie, and you go through the story with the hero suffering gains and losses. Suddenly you feel it is getting too much and you want to snap out of it and you come back to your theater seat. You realize that you were always in that seat, nothing has really changed, and the whole movie was an illusion. But then shortly after coming back to the theater seat and disillusioning yourself, you see something else interesting in the screen that once again enchants you, and you start to gain knowledge from investment. And this happens again and again.
This is the play between alternating enlightenment and non-enlightenment
This is the play between alternating knowledge and innocence.